《诱饵2019》是一部探讨道德与人性的惊悚剧集,聚焦于一个复杂的欺诈计划,参与者们为了金钱和权力不惜牺牲一切。在这个故事中,角色们被卷入了一个精心策划的骗局,每个人都在自己的动机驱使下,扮演着特定的角色。豆瓣内容: 康沃尔渔村的风景明信片《诱饵2019》是一部探讨道德与人性的惊悚剧集,聚焦于一个复杂的欺诈计划,参与者们为了金钱和权力不惜牺牲一切。在这个故事中,角色们被卷入了一个精心策划的骗局,每个人都在自己的动机驱使下,扮演着特定的角色。豆瓣内容: 康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.- 演员:Morgan Val Baker(饰演角色:杰森) - 对白:“我们只是在玩一场游戏,规则很简单——你赢,我就赢。”- 演员:Georgia Ellery(饰演角色:艾米) - 对白:“我并不在乎对错,我只在乎结果。”- 演员:Martin Ellis(饰演角色:马丁) - 对白:“信任是这个世界上最脆弱的东西,一旦打破,就再也无法修复。”《诱饵2019》通过这些角色之间的复杂互动,揭示了人性中的贪婪、欺骗与救赎。在这个充满算计与谎言的世界里,每个人都在为自己的利益而战,而真相却如同迷雾般难以捉摸。详情